Mixed Media
My Mixed Media and video experiments articulate an expansive vision in which the technological and the tactile, the fleeting and the persistent, collaborate to redefine contemporary visual experience.
Medium : Digital on Aluminium
Size : 45x47 cm
"Amor Livre"
Medium : Digital on Aluminium
Size : 45x47 cm
Limited Edition 1/7
Limited Edition 1/7
"Gogo Yubary neh!"
"The strip "
"The kiss
Medium : Digital Gif animation
Medium : Digital Gif Animation
"BASQUY #16
"BASQUY #18
Medium : Digital NFT & Print
Medium : Digital Gif Animation
"Too many insignificant days 2 - NFT "
"Too many insignificant days 1 - NFT
Medium : Digital Gif animation
Medium : Digital Gif Animation
"Traiettorie imprevedibili "
"The walk"
Medium : Digital Gif animation
Medium : Digital Gif Animation
"The instagram generation #2"
Medium : Digital on Aluminium
Size : 107x70 cm
"The instagram generation"
Medium : Digital on Aluminium
Size : 100x100 cm
Limited Edition 1/7
Limited Edition 1/7
"On the snow at night #2"
Medium : Digital on Aluminium
Size : 118x80 cm
"On the snow at night #1"
Medium : Digital on Aluminium
Size : 118x80 cm
Limited Edition 1/7
Limited Edition 1/7
About the work
Furio Torracchi’s Mixed Media and associated digital/video explorations articulate a fluid negotiation between analogue and digital visual systems, positioning these works as extensions of his broader inquiry into image, memory, and perception. Across this field of practice, Torracchi moves beyond the traditional boundaries of painting and photography to embrace a hybrid mode in which photography, digital manipulation, graphic composition, and temporal media intersect.
At the heart of this line of work is the idea that images do not merely represent reality, but actively construct it. Digital projects—which include experiments with moving images, GIFs, and video formats—function as dynamic visual proposals that unfold over time, encouraging viewers to interact with light, color, and moving structure rather than static form alone. This temporal dimension expands the visual language, inviting a reflective encounter with the ways in which memory, rhythm, and narrative can be shaped through sequence and transformation.
In multimedia works, the layering of materials and digital interventions do not merely blend media: they bring the act of creation to the fore as an element of meaning. By juxtaposing digital surfaces with a tactile or sculptural presence and incorporating experimental video fragments, these works highlight the tension between surface and depth, between stillness and movement. They suggest that images are not fixed artifacts, but sites of perceptual negotiation, where meaning emerges through the viewer's engagement with form, time, and transformation.